Spirit of Paranoia: A Critical Analysis of “Zeitgeist” (Part III)

The third and final part of Peter Joseph’s Zeitgeist is by far the most fascinating – and perhaps the most delusional and paranoid – of the film’s three sections. Part III, titled “Don’t Mind the Men behind the Curtain,” takes a decidedly darker and more sinister turn. In the film’s previous chapter, we were assaulted with a barrage of media […]

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